koreografska fantazija br. 2: a continuity, premiered on September 18, 2015. It it the second work in the award-winning series (Croatian Theatre Award for the Outstanding Choreographic Achievement and Annual Award of the Croatian Dance Artists Association for the choreographic achievement of the year) which considers choreography as a structural practice.
Performed by six dancers, the work focuses on the form itself. Created in returning, perpetual layers, it affirms continuity as its most stable place. On the other hand, it is a contemplation about the end of time. A certain tension of the performative event falls into the abyss of form and punctuation of time, resisting some kind of annihilating compactness through the body itself. The choreographic structure continuously floats and disperses, allowing dancers to create their responses attuned to each given moment. As the dance travels through its structural panorama, the formal language of the piece emerges and disappears. Sound is a homage to Electronics, by Reinhold Friedl (Zeitkratzer) & Carsten Nicolai, an avant-garde album described as a pure drone event.
The work was programmed by the Croatian Association of Artists and Meštrović Pavilion, a gallery for contemporary art in Zagreb. Designed by sculptor and architect Ivan Meštrović and built in 1938, the building has served several functions in its lifetime. Subsequently, it was transformed into the Museum of the Revolution in 1990 and now houses the Croatian Association of Artists.