koreografska fantazija br. 2: a continuity is the second work in the award-winning series (Croatian Theatre Award for the Outstanding Choreographic Achievement and Annual Award of the Croatian Dance Artists Association for the choreographic achievement of the year) which explores choreography as a structural practice.

Created in returning, perpetual layers and performed by six dancers, the work focuses on a range of fluctuations. It simultaneously contemplates the end of time, where the tension of the event falls into the abyss of form and duration, resisting some kind of annihilating compactness. What does it mean to be together, navigating structures and time? How do we proceed, and in what order? The choreographic structure continuously tightens and disperses, allowing dancers to respond attuned to each given moment. As the dance travels through its structural panorama, the formal language of the piece emerges and disappears. Sensing and listening, proposing and echoing, finding space, and inventing a different kind of time. The sound is a homage to Electronics by Reinhold Friedl (Zeitkratzer) & Carsten Nicolai, an experimental sound album.

The work was programmed by the Croatian Association of Artists and Meštrović Pavilion, a gallery for contemporary art in Zagreb. Designed by sculptor and architect Ivan Meštrović and built in 1938, the building has served several functions in its lifetime. Transformed into the Museum of the Revolution, it now houses the Croatian Association of Artists.